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jcampbellcarter

London Art Advisor • Public Speaker • Curator
✉️ juliacampbellcarter@gmail.com
Thank you all so much for joining us last night to Thank you all so much for joining us last night to celebrate the opening of Rhythm in the Blues. Rhythm in the Blues Opening Reception *London-based pop-up exhibition Curated by Pamela Bryan & Julia Campbell Carter @pambryan_octavia With special thanks to Katy Wick @thewickculture And Getty Images @gettyimages Photo credit: @davebenett In a world of geo-political fracture and uncertainty, this exhibition unites and celebrates the creative voices of five acclaimed international contemporary artists each embodying a distinct multiplicity of nationalities, cultures, perspectives and medium – Alia Ali, Aigana Gali, Azadeh Ghotbi, Naomie Kremer, and Lucille Lewin. The exhibition affirms the vital importance of art and multi-disciplinary culture and their impact on how we understand the world and our place within it.
Alia Ali featured in Trebuchet! Link in stories! Alia Ali featured in Trebuchet! Link in stories! @trebuchetmagazine @octaviaartgallery @alia.ali.art @jcampbellcarter
This week I visited Cecily Brown’s exhibition at t This week I visited Cecily Brown’s exhibition at the Serpentine titled “Picture Making”. The show felt nostalgic of Brown’s experience growing up in Britain before spending three decades in New York, and there’s a palpable sense of return in these works. With the English landscapes, greenery and the particular atmosphere of a London park. What struck me first was how alive the paintings feel. Figures seem to emerge and then dissolve back into the brushwork where you can see within the works a couple half-hidden in foliage and a figure on a woodland path. The undefined and uncertainty creates a pleasurable kind of disorientation. Image 1 - Terry & Julia, Oil on linen, 2025/2026. Image 2 - Cecile Brown Couple, Oil on linen, 228.6 x 203.2cm, 2003-2004 Image 3 - The Serpentine Picture, Oil on linen, 119.38 x 185.42 cm, 2026. Image 4 - Nature Walk with Paranoia, Oil on linen, 226.06 x 210.82cm, 2026. #cecilybrown #serpentinegallery #londonart #contemporyart #artadvisory
This weekend I had the most wonderful time in Veni This weekend I had the most wonderful time in Venice. One of the highlights was visiting the Peggy Guggenheim Collection. The Peggy Guggenheim Collection is one of the most important museums of modern art in Europe. It represents the lifelong passion of Peggy Guggenheim, the American heiress and art patron who spent decades assembling an extraordinary collection of avant-garde works. The museum holds masterpieces spanning Cubism, Futurism, Surrealism, and Abstract Expressionism, featuring artists such as Pablo Picasso, Salvador Dalí, Marcel Duchamp, Jackson Pollock, and Mark The collection attracts hundreds of thousands of visitors each year and remains a testament to one woman’s remarkable vision, taste, and dedication to the art of her time. #peggyguggenheim #venice #contemparyart #artadvisory #artcollector
Over the weekend I visited the exhibition of Rose Over the weekend I visited the exhibition of Rose Wylie’s at the @royalacademyarts . The exhibit explored a range of Wylie work from the start of her career to her newest paintings. Her bold style is synonymous with her identity as an artist reminding the audience of the funny moments of life. Work 1 - RW Party Clothes (Rose Wiley), Oil on canvas, 2016. Work 2 - Sitting on Bench, Red Shadow, Oil on canvas, 2007. Work 3- Pink Skater (Will I Win, Will I Win), Oil on canvas, 2015. Work 4 - Park Dogs & Air Raid, Oil on canvas, 2017. Work 5 - Irreverent Anatomy Drawing, Oil on canvas, 2017. Work 6- Ack Ack, Oil on canvas, 2003. Work 7 - Indian Bird, Watercolour and Collage on paper, 2013. #rosewylie #royalacademyofarts #modernart #artadvisory #artadvisorlondon
This morning I visited Tracey Emin’s Second Life e This morning I visited Tracey Emin’s Second Life exhibition at the Tate Modern. Through the exhibition Emin explores feelings of rejection, loss and regret centred around her abortion experience. This moment was formative within her identity finding both success and regret within this choice. Second life explores life after loss and re-exploring her identity. The show features paintings, bronze sculptures, neon lights and stitching. I thought the stand out of the exhibition was her paintings which were beautifully expressive and shows her passion. Emin’s genius is shown through her ability to explore the human experience of life after trauma through her bold and striking work. Work 1 - There’s A lot of Money in Old Chairs, mixed media, 1994. Work 2 - I needed you to love Me, Acrylic paint on canvas, 2023. Work 3 - Why -, Embroidered Cotton, 2009 Work 4 - Feeling Pregnant, Children’s shoes and ink on paper, 1999-2002. Work 4 - Exorcism of the last painting I ever made, performance and multi media presentation, 1996. Work 5 - Naked Photos - Life Model Goes Mad I - III, photographs, inkjet prints on paper, 1996. Work 6 - Death Mask, distressed bronze cast with gold plating, 2002. Work 7 - I watched myself die and come alive, Acrylic paint on canvas, 2023. #tatemodern #traceyemin #contemporaryart #london artadvisor
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Julia Campbell Carter

Independent Art Advisor

London

t: +44 (0) 7714 328015

e: juliacampbellcarter@gmail.com

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