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jcampbellcarter

London Art Advisor • Public Speaker • Curator
✉️ juliacampbellcarter@gmail.com

Over the weekend I visited the exhibition of Rose Over the weekend I visited the exhibition of Rose Wylie’s at the @royalacademyarts . The exhibit explored a range of Wylie work from the start of her career to her newest paintings. 

Her bold style is synonymous with her identity as an artist reminding the audience of the funny moments of life. 

Work 1 - RW Party Clothes (Rose Wiley), Oil on canvas, 2016.
Work 2 - Sitting on Bench, Red Shadow, Oil on canvas, 2007.
Work 3- Pink Skater (Will I Win, Will I Win), Oil on canvas, 2015.
Work 4 - Park Dogs & Air Raid, Oil on canvas, 2017. 
Work 5 - Irreverent Anatomy Drawing, Oil on canvas, 2017.
Work 6- Ack Ack, Oil on canvas, 2003.
Work 7 - Indian Bird, Watercolour and Collage on paper, 2013. 

#rosewylie #royalacademyofarts #modernart #artadvisory #artadvisorlondon
This morning I visited Tracey Emin’s Second Life e This morning I visited Tracey Emin’s Second Life exhibition at the Tate Modern. Through the exhibition Emin explores feelings of rejection, loss and regret centred around her abortion experience. This moment was formative within her identity finding both success and regret within this choice. Second life explores life after loss and re-exploring her identity. 

The show features paintings, bronze sculptures, neon lights and stitching. I thought the stand out of the exhibition was her paintings which were beautifully expressive and  shows her passion. Emin’s genius is shown through her ability to explore the human experience of life after trauma through her bold and striking work. 

Work 1 - There’s A lot of Money in Old Chairs, mixed media, 1994.
Work 2 - I needed you to love Me, Acrylic paint on canvas, 2023.
Work 3 - Why -, Embroidered Cotton, 2009
Work 4 - Feeling Pregnant, Children’s shoes and ink on paper, 1999-2002.
Work 4 - Exorcism of the last painting I ever made, performance and multi media presentation, 1996.
Work 5 - Naked Photos - Life Model Goes Mad I - III, photographs, inkjet prints on paper, 1996.
Work 6 - Death Mask, distressed bronze cast with gold plating, 2002.
Work 7 - I watched myself die and come alive, Acrylic paint on canvas, 2023.

#tatemodern #traceyemin #contemporaryart #london artadvisor
This week with the opening of the seasons we saw g This week with the opening of the seasons we saw great results at the Christie’s 20th/21st evening sale with the most successful lot of the night being Henry Moore’s “King and Queen”. Setting a record of £26,345,000.

“King and Queen” is cast in bronze and part of an edition of four, plus one artist’s copy. Where after two additional bronzes were cast specifically for the Tate Gallery, London and the Henry Moore Foundation, Much Hadham . The last edition to remain in private hands was the one shown within the sale. 

#christies #modernart #contemporaryart
Within two videos I would like to share with you t Within two videos I would like to share with you the display of Grayson Perry at Piano Nobile. Within this part 2 I share with you the works located on the second floor of piano nobile.

#graysonperry #artadvisor #contemporaryart
With the next two videos I would like to share wit With the next two videos I would like to share with you the display of Grayson Perry at Piano Nobile. Within this part I share with you the works located on the first floor.

#graysonperry #contemporaryart #artadvisor
I recently visited @pianonobilegallery to see thei I recently visited @pianonobilegallery to see their display of works by Grayson Perry. The display includes many themes typical within Perry’s work such as confronting modern day political and societal issues. 

Stand out works include Facist Swing (2025), seen within the second and third image, which re-interprets Jean-Honoré Fragonard’s work “The swing”. However Perry re-imagines the protagonist not as the original lady of the court but as Shirley Smith, a troubled and abused eastender. Shirley Smith is re-imaging her life away form the confines of her home into a dream like space where she is dreaming her life as the owner of Hertford House. The intensity of the vivid colours further intensifies the dream but within the detail of the work you can spot kitchen mixers, cookers and kettles, tying our character back to her reality. 

This work was made for Perry’s 2025 exhibition at the Wallace Collection. Within the display you can see “My home” which was also displayed.

Image 2 - Fascist Swing, Tapestry, 2025

Image 3 - Fascist Swing, Detail, Tapestry, 2025

Image 4 - Vote for Me! (woodcut), Woodcut on paper, 2023

Image 5 - The American Dream, Colour etching from six plates on one sheet, 2021.

Image 6 - My Home, Woodcut on 315 gsm Heritage White paper, 2025

Image 7 - Map of Nowhere (purple), Colour etching in purple on Arches paper, Etching from five plates on one sheet, 2008.

Image 8 -Our Town (yellow/fuschia), Colour etching on 400gsm Velin Arches paper, 2023.

Image 9 - Sales Pitch, Glazed earthenware with impressed type, 1987.

Image 10 - Essex, Middlesex, Sussex, Glazed earthenware with transfer print, incisions and impressed type, 1998

#graysonperry #contemparyart #modernart
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Julia Campbell Carter

Independent Art Advisor

London

t: +44 (0) 7714 328015

e: juliacampbellcarter@gmail.com

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